SOMNA M BULIST l list of works l spirit of gifting - mp3 direct downloads l recordings l itunes l Xarpe Artist Editions |
| music composed and performed by somna m bulist |
No flash player!It looks like you don't have flash player installed. Click here to go to Macromedia download page. State Of Mind - Variation I - Movements 1-2, solo harp, April 2012 (work in progress). State of Mind - Variation I - Movement 3, solo harp, May 2, 2012. I Thank The Sea For The Gifts She Gives Me (2008) live recording from a concert of new music Saturday, June 12, 2010. I Thank The Sea For The Summer Rain (2008) a multi track sound document recorded on August 15, 2009 in Pound Ridge, New York. Achemar/Tiger melody/White Tiger, solo and multi track harp improvisation/sound documents in the duration of one minute. They were recorded specifically for Shelley Burgon's sound installation, Eridanus A Path of Souls exhibited on March 24, 2011 at Splatterpool, Brooklyn, New York. Sonic Salutations(2009) are brief sonic gestures, a minute or so in duration. These documents were recorded during the new moon in February 2012 in celebration Chinese New Year of the Black Water Dragon. Midnight One Two Three Four Five Six Dawn Mid Morning Noon Mid Afternoon Sunset - Go For A Walk! The score for Sonic Salutations for Harp Alone or Several Harps not necessarily in Unison is available at Xarpe Artist Editions LINK TO MP3 DOWNLOAD PAGE it may take a while for page to load, then click on the title link to initiate direct download. Blank is an excerpt with harp accompaniment from the Invocation of Nonesuch of Nothingness (2006) a recitation first performed as spoken word for the Fall Equinox ritual presentation by Kyklos Ton Asterion in New York City. Solo harp and vocals by Somna. Esoteric Chord for one or more harps, recorded at the Guard Hill cabin, Bedford, New York, 2005. Solo harp. Brillo with Mary Grandelis on accordion and Somna Bulist, harp, was recorded on July 18, 2002, Greensburg, Pennsylvania. First performance: FLUX 6, Pittsburgh, Pennsylvania. |
Brillo (2002) for accordion and harp Ben Richter, accordion Somna M Bulist, harp The Gershwin Hotel performance series, hosted by Neke Carson and Michael Wiener, presented a concert of new music Saturday, June 12, 2010 at 8:00 pm, featuring compositions by Ben Richter and Somna M Bulist, including several world premieres and recent works for harp, accordion, and chamber ensemble. Three new works for harp were performed by Ms. Bulist, including two of her own compositions - Campbell's Soup (2008) and I Thank The Sea For The Gifts She Gives Me (2008-2010) - and the world premiere of Ben Richter's The Elementals for microtonal harp. Ms. Bulist and Mr. Richter opened the evening with a duo performance of Bulist's Brillo (2002) for harp and accordion. In addition to The Elementals , Mr. Richter presented three ensemble works and a work for violin solo. World premieres included Song of Lost Jerusalem for soprano voice, banjo, accordion, flute, viola, and cello, There Is A Void Outside Of Existence Which If Entered Into Englobes Itself And Becomes A Womb (2008-2009) for clarinet, violin, viola, cello, and piano, and Gobekli Hymn (2009) for violin solo. Please visit gershwinconcert youtube site for a complete listing of the concert videos. |
Campbell's Soup - Cut Up #1 (2008) A. Purple Haze This Is It Theme from Bugs Bunny Show B. Walk on the Wild Side Maria C. This Is It Miserlou Campbells Soup is comprised of favorite tunes, influences that are more subliminal than conscious. The work references the Cut-Up formulated by Bryon Gysin and William Burroughs in their alteration of the time continuum experiments where by slicing and splicing recordings of 'reality' an alteration of the continuum becomes possible. Campbells Soup is an attempt at reconfiguring subliminal memory by accessing the ingredients of formative years. |
I Thank The Sea For The Gifts She Gives Me 2002-2010 ongoing Brillo is recommended for cases of the blues, things that seem difficult to remove, anything grimy. This performance was and is dedicated to the oil spill in the Gulf of Mexico. |
Excerpts from "Valentine Stigmata" a musical articulation of ceremonial meditations fundamental in the Golden Dawn tradition, presented here is "The (Qabalistic) Cross" and three "Archangelic Invocations". Composed and performed by Somna M. Bulist, harp; Mary Elise Grandelis, vocals. Thom Parrott, co-composer. Presented at the Women's Work Festival, Pittsburgh Playhouse, June 2001 |
